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Cabs are a Peavey 6505 4×12 closed-back and a Mojotone Slammins 2×12 open-back.Ĭelestion Website | Facebook | Twitter | YouTubeĭarth Phineas is a long time music industry insider who provides his readers with unbiased reviews on musical instrument and guitar gear. Watch Pete Thorn demonstrate the V-Type’s range:įor reference, this evaluation was conducted with a Fractal Audio Axe-Fx II XL+ through a Carvin DCM200Lpower amp. The pairing also yields a smidge more harmonic content. When together like that, the combination seems to present a stronger sonic footprint in the room. Along with the A-Type’s slightly stringer focus in the highs, both speakers make for a really nice match in a 2×12 or a 4×12. The highs are deliberate and have some open airy cut, but they aren’t shrill or brittle while doing so.įor the inevitable comparison to the A-Type, it’s as if the V-Type has a shift toward the lower mids and the A-Type slants toward the upper mids. I really like how the V-Type delivers a firmly percussive yet slightly primal grunt toward the lower end when hitting the big chords on a dirty amp setting. For a little more fun, I’d also run the cab along with a cab loaded with G12-65s – which share a similar dip around 1.5kHz. Voiced from classic and vintage to modern and progressive tones. Double hum, hum-single-single, a P-90, and even all singles. Celestion V-Type Tone Graphĭuring the time that the V-Type speakers were being evaluated, several guitars and even more pickups were used for testing. Thankfully, there’s a much sound packed in here as a higher-priced selection. It’s a cool speaker, but it neuters my Marshall style amps. The fuller EQ curve makes it sound less 3-D than the V-Type (or most other Celestions in general).
Lots of mids, but no annoying peaks anywhere. The V-Type is in the same $99 price range as the A-Type, making them attractive to guitarists wanting to branch out a little. The A-Type is smoother with a more even EQ response. Could be it has to do with a bit of a dip in the mids around 1.5 kHz or the slightly elevated headroom. It’s a nice full-sounding speaker with a little more lower-mid girth than the A-Type, for example. Right away, the V-Type stood my up and hit me in the chest with a distinctive authority. The V-Type were also in a 2×12 open back cab. Two V-Type speakers together on one channel, and the pair of A-Type on another.
At one point, the V-Type and the A-Type were in a stereo config X pattern in a 4×12. Celestion says the V-Type “ produces a heady, exciting modern vintage sound that just makes you want to keep on playing.” You saw a brief mention of the V-Type in my earlier evaluation of the Celestion A-Type 50 Watt Speaker.
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